An illustration by John Vernon Lord for Rosemary Sutcliff’s Sword at Sunset, Edito-Service Geneva, 1975. Reproduced at the blog johnvernonlord.blogspot.co.uk a couple of days ago.
Illustration of The Old Woman by John Vernon Lord | from Rosemary Sutcliff’s Sword at Sunset
01/03/2013 by Anthony
Posted in Illustrators and Illustration, Sword at Sunset | Tagged children's literature, historical fiction, young adult fiction | 2 Comments
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rosemary sutcliff

"An impish ... irreverent writer of genius" (The Guardian)
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- Rediscovering Rosemary Sutcliff’s novels | FInding Dawn Wind
- Rosemary Sutcliff’s Dawn Wind reprinted in April 2013 by OUP
- Richard Pitt Kennedy | Illustrator of history novelist Rosemary Sutcliff’s Outcast in 1955
- Garden of house of Rosemary Sutcliff in Walberton, West Sussex
- Rosemary Sutcliff Diary | March 14th 1992
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- With day job as @mwwarden re Mary Ward Legal Centre doing London #legalwalk tday |Any chance RS lovers could sponsor? bit.ly/16JeQjv | 2 days ago
- RT @GuardianBooks: 50 authors have annotated their own works to be auctioned by @englishpen. Browse a selection - in pictures http://t.co/H… | 4 days ago
- Rosemary Sutcliff was wonderfully creative, in storytelling, collage, miniatures painting. She'd have agreed with gu.com/p/3gvf6/tw ? | 4 days ago
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in praise of rosemary sutcliff
Guardian newspaper editorial 'in praise of' Rosemary Sutcliff, published in 2011,
Rosemary Sutcliff's 1954 children's classic The Eagle of the Ninth (still in print more than 50 years on) is the first of a series of novels in which Sutcliff, who died in 1992, explored the cultural borderlands between the Roman and the British worlds – "a place where two worlds met without mingling" as she describes the British town to which Marcus, the novel's central character, is posted.Marcus is a typical Sutcliff hero, a dutiful Roman who is increasingly drawn to the British world of "other scents and sights and sounds; pale and changeful northern skies and the green plover calling". This existential cultural conflict gets even stronger in later books like The Lantern Bearers and Dawn Wind, set after the fall of Rome, and has modern resonance. But Sutcliff was not just a one-trick writer.
The range of her novels spans from the Bronze Age and Norman England to the Napoleonic wars. Two of her best, The Rider of the White Horse and Simon, are set in the 17th century and are marked by Sutcliff's unusually sympathetic (for English historical novelists of her era) treatment of Cromwell and the parliamentary cause. Sutcliff's finest books find liberal-minded members of elites wrestling with uncomfortable epochal changes. From Marcus Aquila to Simon Carey, one senses, they might even have been Guardian readers.
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The old woman of the Little People? Good capture.
A great illustration.