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Posts Tagged ‘historical fiction’

Issue 35, Autumn 2012Slightly Foxed is, in their own words, “a rather unusual quarterly book review”, as I posted last year. It professes to be “unaffected by the winds of fashion and the hype of the big publishers” as it introduces readers to “some of the thousands of good books that long ago disappeared from the review pages and often from bookshop shelve.”  ”Companionable and unstuffy”, its contributors – some well-known, others not – all write “personally and entertainingly about the books they choose”. It appeals to me that it is “not so much a review magazine as a magazine of enthusiasms – some of them quite quirky”.

In the autumn of 2011 they launched a new paperback series, putting into paperback those Slightly Foxed Editions that have now sold out. I remain delighted that Rosemary Sutcliff’s autobiography Blue Remembered Hills was released. It is pocket-sized and very elegantly produced.

Blue Remebered Hills by Rosemary Sutcliff

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An illustration by John Vernon Lord for  Rosemary Sutcliff’s Sword at Sunset, Edito-Service Geneva, 1975. Reproduced at the blog johnvernonlord.blogspot.co.uk a couple of days ago.

Reproduction of an illustration from an edition of Rosemary Sutcliff's Sword st Sunset

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Rosemary Sutcliff’s historical novel for children (“of all ages 8 to 88”) Dawn Wind is being republished. The cover  proofs arrived recently. Happily OUP are able to use the original Charles Keeping picture.

Rosemary Sutcliff’s Dawn Wind new edition new cover

Dawn Wind involves the last Roman-British wearer of the dolphin ring which features in several Rosemary Sutciff historical novels. Owain is the only survivor of a Viking raid and the great battle of Aquae Sulis. Just fourteen years old, his father and brother die at the battle but he eventually makes his way to a peaceful Saxon settlement where he is made thrall to a Saxon family. Travelling there he meets a half-wild girl whom he cares for but is forced to leave behind when she falls ill. They meet up again after many years apart, still so in tune with each other that they are able to understand each other’s wordless messages. During his years of service he discovers understanding and even friendship, and loyalty for the people who were once his enemies. His freedom earned, he shoulders the weight of the Saxon household rather than betray a promise to his former master.

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When the BBC series of Rosemary Sutcliff‘s historical novel The Eagle of the Ninth was broadcast on TV, the BBC’s Radio Times wrote about her approach to children, books, the Romans and her hero Marcus – ‘part of me was in love with him’, she said.

Her passion for the Romans stemmed from her own childhood, when her mother read aloud to her from books like Rudyard Kipling‘s Puck Of Pook’s Hill.  The three Roman tales entranced her.   (more…)

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… The Shining Compan(1990) … (is)  a vintage volume, the work of a writer who has a distinctive view of her readers, a view which many may not know that they can have of themselves. To read Rosemary Sutcliff is to discover what reading is good for.

…. this accomplishment make me ask what might be the contemporary appeal or, more simply, the enduring attraction of the historical novels for the young. After all, much has clearly changed in children’s books and reading since television became their more immediate storyteller, and novelists, now more matey and informal, adopted a more elliptical vernacular prose, in which the readers’ ease is more visible than the challenge to read.But, given her isolation, Rosemary Sutcliff needs her readers. Like her characters they people her world, so she devises means of coming close to them and drawing them into the worlds she makes out of the dark places in history.

Sometimes the trick is a first-person narrative: `I am – I was – Prosper, second son to Gerontius, lord of three cantrefs between Nant Ffrancon and the sea.’ Or there’s a dedication, `For all four houses of Hilsea Modern Girls’ School, Portsmouth (my school) who adopted me like a battleship or a regimental goat.’ The first page swings the characters into action in a situation as clear as a television image. The names of the people and places set the rules of belonging; the relations between the sexes are formally arrayed; the battles are long and fierce. Readers who are unaccustomed to the building up of suspense in poised sentences may need a helping hand. Again, the best way into a Sutcliff narrative, a kind of initiation, is to hear it read aloud. Then you know what the author means when she says she tells her tales `from the inside’.

Source: Margaret Meek in Books for Keeps, Issue 64Reproduced with permission.

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Rosemary Sutcliff's Warrior Scarlet hardback coverAustralian writer Nansi Kunze wrote at Michael Pryor’s blog about her “favourite book”, Rosemary Sutcliff’s Warrior Scarlet. The author of Dangerously Placed (‘Can a hippy chick, a goth girl in a lab coat and two guys with a taste for blowing things up really help solve the mystery – before Alex becomes the next victim?’) and Mishaps (‘Why does Pen’s name strike terror into the heart of pop princess Sereena? And just how far will Pen go to get what she deserves?’), grew up in both Australia and the UK.

I think I must have been ten when I began to read Rosemary Sutcliff’s books. It was a strange time for me – a confusing and somewhat lonely one. My parents had split up, and we had gone back to England, leaving my friends, my school and the various treasures a ten-year-old deems precious behind in Australia.  (more…)

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Margaret Meek paid tribute to Rosemary Sutcliff in her 70th year with an insightful reflection on her personality and her work. (Margaret Meek wrote a monograph about Rosemary Sutcliff in the 1960s).

The sharing of storytelling that writers do with readers is the dialogue of imagination. Rosemary Sutcliff lives, grows and acts and suffers in her stories. The worlds created in her imagination have had to stand in for the world of much everyday actuality. From her therefore we can learn what the imagination does, and how it allows us all to explore what’s possible, the realm of virtual experience.  (more…)

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This article about how historians’ perceptions of the ‘legendary figure’ have changed over recent times is behind a pay wall: I am trying to access it. Meanwhile…

Forty years ago both scholarly histories and historical novels had a common view of Arthur: as a historical warrior, whose leadership enabled his people, the native inhabitants of post-Roman Britain, to halt the advancing tide of Anglo-Saxon conquest for about half a century. Nobody was exactly sure when this was, because it had been in the obscure period between 410 and 550, which has left almost no contemporary documents. Nonetheless, there was general agreement that Arthur had flourished somewhere in that time and had been the greatest British personality in it, establishing a fame which laid the basis for the later, more romantic and fantastic, medieval Arthurian legend.

This happy consensus had mostly been produced by the new discipline of archaeology, which had excavated some of the main sites associated with Arthur in that later and fully-developed legend, such as his birthplace at Tintagel and Cadbury Castle in Somerset, which local tradition held had been his court of Camelot. In each case, amid great publicity, spectacular remains had been found of occupation by wealthy people at just the right period. For many, this was enough to establish beyond reasonable doubt that the legend was rooted in historical truth and books such as Geoffrey Ashe’s The Quest for Arthur’s Britain  and Leslie Alcock’s Arthur’s Britain carried this message to a wide readership. It was taken up by historians, who now felt encouraged to reconstruct a story for the years around 500 by combining the meagre early medieval sources with a wealth of much more dubious data from later periods; this approach was epitomised by John Morris’s fat, exciting book, The Age of Arthur . The interest stirred up by scholars resulted in a flood of historical fiction in the 1960s and 1970s. Most was produced by Englishmen, though Englishwomen such as Rosemary Sutcliff and Mary Stewart were among the most prominent authors. All treated Arthur as a historical character in a post-Roman setting, with realistic British landscapes and careful use of historical and archaeological data.

Source: Signposts: King Arthur | History Today.

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The Lantern Bearers by historical novelist and children’s writer Rosemary Sutcliff, first published in 1959, won the prestigious  Carnegie Medal that year. An American reviewer wrote some twenty years later …

I discovered Rosemary Sutcliff in my early teens, and she quickly became one of my favorite authors. I can still vividly recapture the magic of reading her books. It was a real pleasure to return to The Lantern Bearers, which I first read when I was about thirteen, and find the magic still intact. … The Lantern Bearers is a wonderful book. Sutcliff possesses a unique gift for character and description, evoking a sense of place and person so intense that the reader can almost see her characters and the world in which they move. She has a matchless ability to establish historical context without a surfeit of the “let’s learn a history lesson now” exposition that mars many historical novels for young people. Her books are never less than meticulously researched, but her recreation of the past is so effortless that one has no sense of academic exercise, but rather of a world as close and immediate as everyday.

…  The Arthurian theme was one of Sutcliff’s favorites: she produced several young adult books on the subject, as well as a beautiful adult novel, Sword at Sunset, to my mind one of the best ever written in this genre. But the Sutcliff’s Arthur is rooted as much in history as in myth–not just the tragic king of Le Morte d’Arthur or the heroic/magical figure of traditional Arthurian fantasy, but a man who might actually have existed, heir both to the memory of Rome and to the last great flowering of Celtic power in Britain.
…  her enduring popularity … is richly merited: she is, quite simply, one of the best.

Copyright © 1997 Victoria Strauss

(First posted, April 29th, 2009)

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Rosemary Sutcliff’s Roman Britain series is historical fiction at its best – excellent historical details, interesting characters, compelling stories, and a seamless blend of fiction with history. Though ostensibly for young adults, these books are excellent for adults. Sutcliff successfully brings the struggle between Rome and the barbarians to life, covering the back-and-forth battle under changing circumstances and across the centuries. Through this, her concern with how her youthful main characters address the first difficult times of their lives links the books together. Their availability varies, but these novels are well worth the effort to track down. The strategic and tactical concerns of each successive defender of civilized Britain, as he struggles to hold back the dark, gives the series an epic sweep that makes the books hard to put down. Dive into any of these books for a first-rate historical recreation, with living, breathing characters who will leave you as passionately wedded to the defense of Britain as they are.

Source: Rosemary Sutcliff | Roman Britain historical novels | The Green Man Review

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