Posted in Books and Stories, tagged Dawn Wind, dolphin ring, Frontier Wolf, History, Sword at Sunset, The Eagle of the Ninth, The Lantern Bearers, The Shield Ring, The Silver Branch on December 15, 2011 |
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In a comment on a recent post yesterday Robert Vermaat points me to a blog post from a few years ago which explores how Rosemary Sutcliff passed a dolphin ring down many generations of the Aquila family over several books. Thus:
“Marcus took it from him and bent to examine it. It was a heavy signet-ring
; and on the flawed emerald which formed the bezel was engraved the dolphin badge of his own family … ”
As to why this was a dolphin, he’s not sure it was ever explained? Does anyone know? The books, by the way, in order of century setting, not order of writing, are:
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Posted in Books and Stories, tagged Dawn Wind, Discoveries, dolphin ring, Frontier Wolf, Sword at Sunset, Sword Song, The Eagle of the Ninth, The Lantern Bearers, The Shield Ring, The Silver Branch, Three Legions on December 14, 2011 |
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A Twitterer, who is “reading Knight’s Fee now” asks “is there a chronology of (Rosemary Sutcliff) books re the family with the dolphin ring?”. I think it goes like this – but do put me right any of you Rosemary Sutcliff experts out there … And does anyone know or recall WHY a dolphin is the image on the ring?
The Eagle of the Ninth (AD 133),
The Silver Branch (about AD 280),
Frontier Wolf (AD 343),
The Lantern Bearers (AD 450),
Sword at Sunset (immediately follows the time of The Lantern Bearers)
and Dawn Wind (AD 577).
The sequence of stories of the descendants of Marcus Flavius Aquila, hero of The Eagle of the Ninth, continues with Sword Song (about AD 900) and The Shield Ring (about AD 1070).
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In England just after the Norman Conquest, high up among the fells of the Lake District is a secret valley where the Northmen (or Vikings as they are sometimes loosely called) have their last stronghold – or shield ring – struggling to keep the Lake District free. The Normans want to crush this last group of Northmen, so they build a castle in Carlisle and an army is sent north under Ranulf de Meschin. Frytha a young, orphaned Saxon girl seeks refuge in the valley after her home is burnt by the Normans. She witnesses the waning power of the Norse as she joins Jarl Buthar’s Viking band after her family are slaughtered by the Normans.
Bjorn, the Bear-Cub, is the foster son of the old harper. He longs to be allowed to play the ‘sweet-singer’, the special harp owned by his foster father which is smaller than the hall harp and strung with Irish white bronze, not horse hair. The old harper realises that one day Bjorn will indeed be a harper and he starts to teach him how to play it.
Life goes on in the valley - lambing, shearing, spinning, harvesting, and singing and story telling in the great hall in the evenings. But always there is the need to prepare for a Norman attack and Bjorn has a secret fear. Several times in the past the Normans have captured Northmen and tortured them to try to force them to reveal where the hidden valley is – but no Northman has ever betrayed the vital secret. Bjorn wonders how he would act if he were ever in that position and fears he would not be able t keep silent.
The outnumbered Northmen try to outwit the Normans by building the Road to Nowhere – a road which will lead the Normans into an ambush. But they also need intelligence about the Norman army. They need to send someone into the Norman camp. Bjorn volunteers; he speaks enough Norman to get by, and a harper can go anywhere. So Bjorn sets out for the Norman camp knowing that if he is found to be a spy he will be tortured - his secret fear from childhood. But he does not go alone. Frytha follows him.
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