Joan gone this morning (Diary, 31/3/88)

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- RT @KearnsDiane: @GingerElanor @rsutcliff @melindahaunton Seconded abt Armourer's House. Also Brother Dusty Feet, Simon .... | 5 days ago
- RT @craftyprimrose: @ChesterArchSoc @wmarybeard When I was small Rosemary Sutcliff's Eagle of the Ninth did a good job of bringing home how… | 6 days ago
- RT @GingerElanor: @melindahaunton Oh oh OH, and Rosemary Sutcliff. Especially Dawn Wind, Sun Horse Moon Horse and above all The Armourer's… | 6 days ago
- RT @spirotta: The wonderful E. Nesbit was born #OnThisDay in 1858. Here are some covers for one of her lesser known stories. https://t.co/m… | 1 week ago
- RT @Lomquiche: @tompalmerauthor @rsutcliff @IWMNorth Someone obviously going through 40s, 50s & 60s children's books & reprinting good ones… | 1 week ago
- RT @tompalmerauthor: Dark Arena, my new book, inspired by my recent love of @rsutcliff's awesome Roman Britain books. (Hers are better. But… | 1 week ago
- RT @AmandaPCraig: My 5 novels about #movingtothecountry @TheWeekUK https://t.co/N8i88ARr6P | 1 week ago
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the guardian newspaper in praise of rosemary sutcliff

Rosemary Sutcliff's 1954 children's classic The Eagle of the Ninth (still in print more than 50 years on) is the first of a series of novels in which Sutcliff, who died in 1992, explored the cultural borderlands between the Roman and the British worlds – "a place where two worlds met without mingling" as she describes the British town to which Marcus, the novel's central character, is posted.

Marcus is a typical Sutcliff hero, a dutiful Roman who is increasingly drawn to the British world of "other scents and sights and sounds; pale and changeful northern skies and the green plover calling". This existential cultural conflict gets even stronger in later books like The Lantern Bearers and Dawn Wind, set after the fall of Rome, and has modern resonance. But Sutcliff was not just a one-trick writer.

The range of her novels spans from the Bronze Age and Norman England to the Napoleonic wars. Two of her best, The Rider of the White Horse and Simon, are set in the 17th century and are marked by Sutcliff's unusually sympathetic (for English historical novelists of her era) treatment of Cromwell and the parliamentary cause. Sutcliff's finest books find liberal-minded members of elites wrestling with uncomfortable epochal changes. From Marcus Aquila to Simon Carey, one senses, they might even have been Guardian readers.
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ROSEMARY SUTCLIFF

Joan gone this morning (Diary, 31/3/88)

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rosemary sutcliff

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the guardian newspaper in praise of rosemary sutcliff

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