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A Guardian editorial in March 2011 “In praise of … Rosemary Sutcliff” prompted various people to comment fondly and intriguingly upon their reading of her books, often in a childhood some years past.

liberalcynic said

I have to say I loved Rosemary Sutcliff‘s books when I was a kid. They opened undiscovered worlds and – perhaps more importantly – they didn’t talk down to my eleven year old self

thegirlfrommarz also “loved Rosemary Sutcliff’s books as a child” and “still loves them as an adult”. Like liberalcynic she thought that ” … they never talked down to you”. The Eagle of the Ninth was one of her favourites, although (more…)

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Rosemary Sutcliff spoke to a ‘Children’s Literature New England’ conference in 1989, in Cambridge (UK). Her contribution was entitled ‘History and Time’. At one point she told an anecdote to indicate that she saw her task as a historical novelist to be to breathe life into the bare bones of the accounts of academic historians and teachers.

Many years ago, when I was sure of myself as only someone scarcely out of their apprenticeship can be, I was talking to an audience of school teachers in the Midlands that are sodden and unkind, when a County Inspector of Education stood up and asked what was my justification for writing historical novels, which he clearly considered a bastard form, instead of leaving the job to legitimate historians who knew what they were talking about. I looked him straight in the eye and said: “Historians and teachers, you and your kind, can produce the bare bones, all in their right order, but still bare bones. I and my kind can breathe life into them. And history is not bare bones alone, but a living process.” Looking back I’m rather shaken at my hardihood, but I still think I was right.

  • Source: Historical Fiction for Children: Capturing the Past by Fiona M. Collins, Judith Graham. Routledge (2013). p 112

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Someone who was once briefly Rosemary Sutcliff’s editor (I do not know where or when) used to post as Antonius Pectinarius at www.ancientworlds.net . He believed her best work was in the 1950s and 1960s, beginning with The Eagle of the Ninth and ending with The Mark of the Horse Lord which was his own favourite. Writing in 2003, he said:

She had, as did Henry Treece, a mystical communion with the past, which enabled her both to recreate tiny details, and to confound military historians with her understanding of the art of battle in any situation she cared to devise. Her sense of place was uncanny, in that she could get no nearer to a site than the seat of a car on an adjacent road. Friends often served as her eyes, and also as her researchers, but it was the conclusions she drew from the evidence, and her re-creations of them, that made her contribution to the literature about the ancient world so distinctive.

Where she was simply embellishing recorded history, she was no better than anyone else.

She also had one of the rudest senses of humour in anyone I have met.

Source: Rosemary Sutcliff—more appreciation.

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Endeavour Press have now republished in E form Rosemary Sutcliff’s historical fiction novel The Flowers of Adonis, about Alkibiades, who The Times in an interview to mark its publication in 1969 called “one of the most enigmatic figures in Greek History”. It is a novel of the Peloponnesian War, and Alkibiades’s relationship with Athens, and the dreadful battle at Syracuse.
Times Oct 27 1969 on Rosemary Sutcliff

 

  • Source: The Times, October 27, 1969, p6

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Poor research: I clipped this from a newspaper in 2010, but I did not note which one!

(But see comments below for more details)

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Richard III's grave and skeleton in Leicester

I cannot recall what Rosemary Sutcliff thought about or indeed knew of Richard III— last week it was reported his remains will now be re-buried in Leicester Cathedral, his skeleton having been found under a car park in Leicester City. Over 500 years ago Sir Thomas More was not over flattering. (more…)

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Cover of The Rider of the White Horse by Rosemary Sutcliff

There can be nothing nicer than being asked to write an introduction to a favourite book, but at the same time it is a difficult task. It is like being asked to describe the charm of a face you love. If you did not love the face so much, and even more the person behind the face, it would be easy. But as things are, what can you possibly say? I can only say, baldly and inadequately, that I love this book. It may not be such a great book as Sword at Sunset but it has qualities of poignancy and gentleness that make it unforgettable.

Rosemary Sutcliff historical novel which was written for adults was The Rider of the White Horse, set in the English Civil War, about Sir Thomas Fairfax and his wife. This is the first paragraph of the introduction by the renowned historical novelist Elizabeth Goudge.   (more…)

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